The Epicurean Vagabonds
Aesthetic Arrest Podcast
Aesthetic Arrest Podcast: Wham!, ANOHNI, Tom Robbins, Taylor Mac & French Desserts!
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Aesthetic Arrest Podcast: Wham!, ANOHNI, Tom Robbins, Taylor Mac & French Desserts!

Plus Edmonia Lewis, Yinka Shonibare, John Rechy & Colette Maze!

“The aesthetic experience is a simple beholding of the object . . . you experience a radiance. You are held in aesthetic arrest.” - Joseph Campbell

Aesthetic Arrest is our weekly dip into the Epicurean pleasures we’ve been enjoying lately. Cheers to that!


Ryan Wildstar’s Recommendations:

Reading: Our Lady of Babylon by John Rechy

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Listening: My Back Was A Bridge For You To Cross by ANOHNI and the Johnsons  


Looking: The Art of Edmonia Lewis (also known as “Wildfire”)

Old Arrow Maker by Edmonia Lewis [Public Domain via Wikimedia Commons]
Hagar by Edmonia Lewis [Public Domain via Wikimedia Commons]
Hiawatha by Edmonia Lewis [Public Domain via Wikimedia Commons]
Young Octavian by Edmonia Lewis [Public Domain via Wikimedia Commons]
Moses by Edmonia Lewis [Public Domain via Wikimedia Commons]
Minnehaha by Edmonia Lewis [Public Domain via Wikimedia Commons]
Forever Free by Edmonia Lewis [Fuzheado, CC BY-SA 4.0 via Wikimedia Commons]
The Death of Cleopatra by Edmonia Lewis [Public Domain via Wikimedia Commons]

Viewing: Wham! documentary directed by Chris Smith (Netflix)


Tasting: Ryan Wildstar’s Cherry Clafoutis

Ryan Wildstar’s Homemade Cherry Clafoutis [Photo by Ryan Wildstar]

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Ryan Elston’s Recommendations:

Reading: Skinny Legs and All by Tom Robbins (born July 22, 1932)

“On her small canvas, she recreated a section of the Crazy Mountains, the range near Livingston that they had admired earlier that day; that is to say, she recreated the mountains not as she had originally seen them but as she eventually chose to see them, for a person has not only perceptions but a will to perceive, not only a capacity to observe the world but a capacity to alter his or her observation of it—which, in the end, is the capacity to alter the world, itself. Those people who recognize that imagination is reality’s master, we call ‘sages,’ and those who act upon it, we call ‘artists.’” — from Skinny Legs and All by Tom Robbins


Listening: 109 Ans de Piano [109 Years of Piano] by Colette Maze (The oldest recording pianist in the world!)


Looking: The Art of Yinka Shonibare

[Note: Most Instagram images below are severely truncated or cropped. Click on the images to view the artworks at full size. Be sure to click on the actual image itself or you may get an error.]

Yinka Shonibare CBE RA on Instagram: ”@shonibarestudio’s new sculpture installation “Justice for All,” (2019) re-configures the British sculptor F.W. Pomeroy’s “Lady Justice” (1905-1906) that stands upon the dome of London’s Central Criminal Court. The sculpture is depicted wearing a patterned garment, inspired by ‘African’ batik. In the place of the head, a hand painted globe is inserted, symbolising that justice should be served to global range of the population. The exhibition runs from 13-30 January 2020″
January 13, 2020
Yinka Shonibare CBE RA on Instagram: “Yinka Shonibare’s new sculpture ‘Doryphoros (after Polykleitos)’, 2017 installed at Frieze New York with @stephenfriedmangallery #YinkaShonibareMBE #NYFrieze2017 #NewYork #classicalsculpture @friezeartfair
July 3, 2019
Sawubona on Instagram: ”𝘣𝘭𝘰𝘰𝘮. Yinka Shonibare Woman Shooting Cherry Blossoms (2019)
photog- Stephen White
image rp via @colossal [site] #yinkashonibare #astorythatblossomsintheblackmorning #inherowncare #careasaproblemforthought #ibelieveweoweeachotherprotection #therewasnoprotectionnone
June 7, 2023
Eva Livijn-Olin on Instagram: ”#yinkashonibare 💜❤️💛’Decolonised Structures’ at #sharjahbiennial #sb15 : Thinking Historically in the Present @sharjahart #sharjahartfoundation #hooralqasimi #travelingsahil 🌟”
March 22, 2023
Yinka Shonibare CBE RA on Instagram: ”@ShonibareStudio’s monumental sculpture ‘Material (SG) I’, 2019, will be presented by @jamescohangallery at the Armory Show’s Platform section, ‘Can you hear the fault lines breathing?’, curated by Claudia Schmuckli. The section will feature eight works that speak to the urgency of working toward new models of bridging fault lines—societal, historical, or geographical—that are grounded in empathy and understanding. ‘Material (SG) I’ belongs to a series of outdoor sculptures that explore the notion of harnessing motion and freezing it in a moment of time. About these works Shonibare says, “I am trying to do the opposite of sculpture--to sculpt the impossible. I am interested in making the movement of the wind visible through a sculptural form. Most of us move around the world, if you fly, there is wind involved, and if you come by boat, there is wind involved,” Shonibare continues, “These sculptures are a metaphor for the natural movement of people. Migration.” The Armory Show is open to the public at the Javits Center from September 10 through September 12, with a preview on September 9 by invitation. Yinka Shonibare CBE, ‘Material (SG) I’, 2019, painted fiberglass and stainless steel, 13 ft tall (4 meters). Unique from a series of 9. @thearmoryshow @cschmuckli #YinkaShonibare #YinkaShonibareCBE #MaterialSculpture #Windsculpture #TheArmoryShow #Armory2021 #ArmoryShow2021 #ContemporaryArt #ContemporarySculpture #AfricanArt #Sculpture #PublicArt #Movement #Disaspora #Migration #ArtFair #OVR #JamesCohan #jamescohangallery
September 9, 2021
Revue DADA on Instagram: ”😲 Méduse a rarement été aussi colorée ! Avec ces quatre portraits, l’artiste Yinka Shonibare livre une réinterprétation de la Méduse du Caravage, peintre du 16e siècle. Il décline la figure mythologique selon quatre origines ethniques différentes. Les serpents sur la tête de ces femmes sont remplacés par des tissus africains bigarrés, et leur visage est figé dans un cri. En s’éloignant de la représentation habituelle de Méduse et en proposant une réinterprétation aux multiples visages, Yinka Shonibare questionne ainsi les identités et l’histoire des mythes. Yinka Shonibare, « Medusa East », 2015
Yinka Shonibare, « Medusa North », 2015
Yinka Shonibare, « Medusa South », 2015
Yinka Shonibare, « Medusa West », 2015 #meduse #medusa #medusaart #yinkashonibare #mythologie #gorgone #mythologiegrecque #serpent
May 4, 2023

Viewing: Taylor Mac's 24-Decade History of Popular Music created by & starring Taylor Mac, costumes designed by Machine Dazzle, makeup by Anastasia Durasova, directed by Rob Epstein & Jeffrey Friedman (HBO & HBO Max)


Tasting: Kouign-amann from Pâtisserie Mélilot in Paris, France

Kouign-amann from Pâtisserie Mélilot in Paris, France [Photo by Ryan Wildstar]

That’s it for this week! But we want the dinner party to continue! So each week we are asking a “dinner party” question for everyone joining us here at our table. Last week, we asked: “What's one of YOUR favorite cities in the world?” Here are some of the great responses from the comments:

  • Ryan & Ryan chose Montreal!

  • Del Mar chose Tokyo!

  • kde chose Zagreb!

  • Andrea Engstrom chose London!

  • Cheryl chose Lisbon!

Thank you everyone for your wonderful responses! That was last week . . . but we don't want this week's dinner party to end either!

So here is this week's question for the table:

Both of our reading choices this week included a character based on Salome. We looked at art portraying Cleopatra and Medusa. And John Rechy's Our Lady of Babylon gives us a different perspective on Eve, Helen of Troy, Mary Magdalene, Medea and other notorious women. There's always at least two sides to every story.

So, our question for the table this week is:

Who's one of YOUR favorite misunderstood women from history, myth or literature?

Tell us your choice in the comments and we’ll share some of your responses on next week’s podcast! And thank you for joining us for Season Two of Aesthetic Arrest!

Cheers to that!


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The Epicurean Vagabonds
Aesthetic Arrest Podcast
We are Ryan and Ryan, and what we propose to you here is an observational celebration of the most extraordinary people, places, books, art, music, food, wine and cultures we have had the honor to experience together over the last 22 years.