The Epicurean Vagabonds
Aesthetic Arrest Podcast
Aesthetic Arrest: Nickel Boys, Shakespeare's Sisters & the New York Dolls!
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Aesthetic Arrest: Nickel Boys, Shakespeare's Sisters & the New York Dolls!

Plus delicious vegan dining in Athens, a major retrospective featuring the art of Shahzia Sikander, and Constantinople's new album: Nordic Lights in Persian Sky!

The aesthetic experience is a simple beholding of the object . . . you experience a radiance. You are held in aesthetic arrest.” - Joseph Campbell


Aesthetic Arrest: Mid-Week Libation

Wildstar’s Wednesday Libation: Oinotypo Vino Di Casa, Fumé ‘Orange Wine’ Roditis (Aigialeia, Greece) — Fresh out of the barrel from Cava Oinotypo in Athens, Greece!

“In the aging cellars of OINOTYPO, Roditis Orange from the mountainous slopes of Aegialia ages for almost 5 months in new French oak barrels. This meeting creates something unique, giving a special smoky and mineral character to the taste of the wine.” [Source]

[Photo by Ryan Wildstar]

“The vineyards on the mountain slopes of Aegialia extend at an altitude of 300 to 1000 meters (984 to 3200 feet), with a north, northeast orientation, protected from the high summer temperatures by the cool breeze of the Gulf of Corinth, making the area one of the most beautiful wine-making zones, one of the most beautiful vineyards in Greece.” [Source]


Reading: Shakespeare's Sisters: How Women Wrote the Renaissance by Ramie Targoff

This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before anyone ever imagined the possibility of ‘a room of one’s own.’ … Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men … yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries.” [Source]

Targoff brings these women brilliantly to life. . . . This is women’s history at its finest.” — Leah Redmond Chang, BBC History Magazine


Listening #1: A Tribute to the New York Dolls & David Johansen (January 9, 1950 – February 28, 2025)

He was good-looking, charismatic and the press loved him – Johansen always provided great copy – and he sang in a brash, snotty yowl, the perfect complement to the band’s punk-inspiring edge-of-chaos sound. A former participant in the confrontational avant garde Theatre of the Ridiculous shows put on by directors John Vaccaro and Charles Ludlam – big on drag queens, outrage and cast members covered in glitter – Johansen applied their techniques to New York Dolls’ image, helping make the band an instant underground sensation in early 70s New York.” [Source]


Listening #2: Nordic Lights in Persian Sky by Constantinople (Kiya Tabassian, Benedicte Maurseth, Patrick Graham)

Reflecting the Nordic character of this creation, the musicians immerse themselves in vast sound landscapes of pure, muted colours and rhythms that are by turns contemplative and frenzied, transporting and navigating the listener through enthralling, imaginary worlds without borders, from North to South and East to West.” [Source]


Looking: The Art of Shahzia Sikander in a Major Exhibition across Two Museums! Shahzia Sikander: Collective Behavior (on view at the Cincinnati Art Museum and the Cleveland Museum of Art)

For more than three decades, Sikander has been reframing South Asian visual histories through a contemporary feminist perspective. Working in a variety of mediums—painting, drawing, print, digital animation, mosaic, sculpture, and glass work—she reimagines the past for our present moment. Sikander emigrated from Pakistan to the United States early in her career. This gave her a transnational perspective, through which she examines diasporic experiences, gender, histories of colonialism, and western relations with the Global South and the wider Islamic world.” [Source]

Shahzia Sikander: Collective Behavior (works on view at the Cleveland Museum of Art):

1) Baggage Warrior, 2024​. Shahzia Sikander (Pakistani American, b. 1969). Pulp-painted collagraph and watermarked pellon transfers with printed kozo inclusion and stenciled pulp painting on two-color cotton background; 101 x 153 cm. © Shahzia Sikander, courtesy of the artist and Pace Prints, New York; 2) Empire Follows Art: States of Agitation 11, 2020. Shahzia Sikander (Pakistani American, b. 1969). Color digital printing, watercolor, and gouache on prepared wove paper; 40.6 x 30.5 cm. The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2021.103. © Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles; 3) Monsters Within, 2001. Shahzia Sikander (Pakistani American, b. 1969). Dry pigment, vegetable color, and tea on hand-prepared wasli paper; 38.1 x 29.4 cm. Virginia Museum of Fine Arts, Richmond, Adolph D. and Wilkins C. Williams Fund, 2002.535. © Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles. Photo: David Stover © Virginia Museum of Fine Arts; 4) The Illustrated Page Series #1, 2005–2006. Shahzia Sikander (Pakistani American, b. 1969). Opaque watercolor hand painting, gold leaf, and silkscreen pigment on paper; 143.8 x 182.7 x 3.8 cm. Philadelphia Museum of Art, Purchased with the Marion Stroud Fund for Contemporary Art on Paper in honor of Innis Howe Shoemaker, 2006-138-1a, b. © Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles. Photo: Philadelphia Museum of Art / Art Resource, NY

Shahzia Sikander: Collective Behavior (works on view at the Cincinnati Art Museum):

Shahzia Sikander (Pakistani and American, b. 1969), The Scroll, 19891990, vegetable color, dry pigment, watercolor, and tea on wasli paper; Collection of the Artist, Courtesy of Shahzia Sikander and Sean Kelly, New York/Los Angeles, New York, © Shahzia Sikander
1) Shahzia Sikander (Pakistani and American, b. 1969), Elusive Realities, 1989–2000, vegetable color, dry pigment, watercolor, tea, and collage on wasli paper; The Speyer Family Collection, New York, © Shahzia Sikander; 2) Shahzia Sikander (Pakistani and American, b. 1969), Study for the Scroll, 1988, collage on paper attached to board, Collection of the Artist, Courtesy of Shahzia Sikander and Sean Kelly, New York/Los Angeles, © Shahzia Sikander; 3) Shahzia Sikander (Pakistani and American, b. 1969), Fixed, Fluid, 2022, glass mosaic with patinated brass frame, Dr. Fatima Zuberi, © Shahzia Sikander; 4) Shahzia Sikander (Pakistani and American, b. 1969), Cholee Kay Peechay Kiya? Chunree Kay Neechay Kiya? (What is under the Blouse? What is under the Dress?), 1997, vegetable color, dry pigment, watercolor, and tea on wasli paper; Hessel Museum of Art, Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, R1999.49, © Shahzia Sikander; 5) Shahzia Sikander (Pakistani and American, b. 1969), Arose, 2020, glass mosaic with patinated brass frame, Courtesy of Joel S. Pizzuti, © Shahzia Sikander; 6) Shahzia Sikander (Pakistani and American, b. 1969), Her-Vimana, 2024, mixed media collage, Collection of the Artist, Courtesy of Shahzia Sikander and Sean Kelly, New York/Los Angeles, © Shahzia Sikander; 7) Shahzia Sikander (Pakistani and American, b. 1969), The Last Post, 2010, single channel HD digital animation with 5.1 surround sound, approx. 10 mins., music score and sound design by Du Yun, Courtesy of Sean Kelly, New York/Los Angeles, © Shahzia Sikander; 8) Shahzia Sikander (Pakistani and American, b. 1969), Empire Follows Art: States of Agitation 8, 2020, mixed media on paper, From the collection of S. Lwin and F. Karim, © Shahzia Sikander; 9) Shahzia Sikander (Pakistani and American, b. 1969), Segments of Desire Go Wandering Off, 1998, collage with vegetable color, dry pigment, watercolor, graphite, and tea on wasli paper; Martin and Rebecca Eisenberg, © Shahzia Sikander
Shahzia Sikander (Pakistani and American, b. 1969), Promiscuous Intimacies, 2020, patinated bronze, Courtesy of Joel S. Pizzuti, © Shahzia Sikander

Viewing: Nickel Boys (2024) — directed by RaMell Ross (based on the 2019 novel The Nickel Boys by Colson Whitehead)

With POV (point of view) fidelity, Ross plunges the audience into the viewpoint of these young men, seeing what they see, witnessing what they witness. Audiences find themselves moving restlessly, lyrically, lovingly, tragically, with a subjectivity that the long lens and partial views ensure. Nickel Boys invokes a world of lost innocence, lost life and transcendent redemption.” [Source]


Tasting: Our Delicious Vegan/Vegetarian Dinner at Metaxa2 (aka Utopian Garden) Restaurant/Cooperative in Athens, Greece

Metaxa2 is a charming street café/bar in Exarcheia, Athens, known for its delicious vegan and vegetarian dishes. Reviewers praise the welcoming atmosphere, fresh and well-presented plates, and affordable prices. The local vibe, great music, and helpful service add to the overall experience.” [Source]

1) Plates of Hummus & Fava; 2) Bouyiourdi (Spicy Greek Baked Feta with Tomatoes); 3) House-Made Pita; 4) Pan-Fried Mushrooms in Balsamic Vinegar; 5) & 6) Posters [Photos by Ryan Wildstar]

So that’s it for this week! But in the tradition of our Mid-Week Libations, we’d like to end with this week’s words of wisdom, a quotation from author and activist Pauli Murray:

This Week’s Words of Wisdom: Pauli Murray (1910 – 1985)

“Hope is a song in a weary throat.” — Pauli Murray [Source: Quotefancy]

Thank you for joining us for Season 3 of Aesthetic Arrest!

Cheers to that!

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